課程大綱

課程資訊

課程名稱

跨文化表演
INTERCULTURAL AND TRANSNATIONAL FLOWS OF PERFORMANCE

開課學期

98-2

授課對象

文學院戲劇學研究所

授課教師

謝筱玫

課號

Thea7222

課程識別碼

129 M1220

班次

學分

全/半年

半年

必/選修

選修

上課時間

星期二5,6,7(12:20~15:10)

上課地點

總一館210

備註

本課程中文授課,使用英文教科書。
限碩士班以上且限本系所學生(含輔系、雙修生)
總人數上限：15人

Ceiba 課程網頁

http://ceiba.ntu.edu.tw/982intercultural

課程簡介影片

核心能力關聯

核心能力與課程規劃關聯圖

課程大綱

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課程概述

Intercultural Performance has been a widely contested ideas. Is it a form of cultural exchange that benefits both the source culture and the target culture, or is it a kind of cultural appropriation which reflected the unequal power relations between the East and the West? This seminar course explores some of these debates and examines theories of intercultural performance, transcultration, and globalization in relation to actual performance practices.

課程目標

This course aims to familiarize the students with the intercultural theory. It also intends to help students develop a critical eye to look at intercultural productions. The course seeks to ask: How are these forms of performance transmitted across time and space, and how are they received in their respective locations? How do they transform and acquire different meanings in the new context?

課程要求

Students are expected to participate actively in the discussion of the readings, and thus preview of the readings is required. Students also have to be in charge of one-two presentations on the readings.

Attendance is mandatory.

預期每週課後學習時數

Office Hours

指定閱讀

參考書目

-“Toward a Topography of Cross-Cultural Theatre Praxis” The Drama Review 46.3 (2002) by Jacqueline Lo and Helen Gilbert
-Theatre at the Crossroads of Culture (p.4-23) by Patrice Pavis
-“Eurasian Theatre” in The Intercultural Performance Reader by Eugenio Barba
-“Eugenio Barba’s Theatre Anthropology” in The Intercultural Performance Reader by Ian Watson
-“Around Theatre: The Orient—the Occident” in The Intercultural Performance Reader by Jerzy Grotowski
-“Introduction: Towards a theory of interculturalism in theatre?” in The Intercultural Performance Reader by Pavis
-“Interculturalism and the Culture of Choice” Richard Schechner interviewed by Patrice Pavis, in The Intercultural Performance Reader
-“A Collision of Cultures” Asian Theatre Journal 1.1 (1984) by Bharucha
-“A Reply to Richard Schechner” Asian Theatre Journal 1.2 (1984) by Bharucha
-“A Reply to Rustom Bharucha” Asian Theatre Journal 1.2 (1984) by Richard Schechner
-“Introduction” in Orientalism by Edward Said
-“Truth and Power” in Power/Knowledge by Michel Foucault
-“Introduction: Partial Truth” in Writing Culture by James Clifford
-“Alienation Effects in Chinese Acting” and “The Street Scene” from Brecht on Theatre
-“Alienation-Effect for Whom? Brecht’s (Mis)interpretation of the Classical Chinese Theatre, Asian Theatre Journal 14.2 (1997) by Min Tian
-“Introduction” in The Politics of Cultural Practice by Rustom Bharucha
-“Transculturating Transculturation” in Interculturalism and Performance by Diana Taylor
-“The Future of the Hyphen” in Interculturalism and Performance by Una Chaudhuri
-“Interculturalism and Its Discriminations” in The Politics of Cultural Practice by Rustom Bharucha
-“Here and Now” and “Disjuncture and Difference in the Global Cultural Economy” in Modernity at Large by Appadurai
-Taylor, Charles. “Two Theories of Modernity.” Alternative Modernities. Ed. Dilip Parameshwar Gaonkar. Durham: Duke UP, 2001.
-“Exotic Encounters” in Tango and the Political Economy of Passion by Marta Savigliano

評量方式
(僅供參考)

No.	項目	百分比	說明
1.	Final Paper	70%
2.	Class Participation and Attendance	10%
3.	Presentation	20%

課程進度

週次	日期	單元主題
第1週	2/23	1. Introduction of the Course 2. The Debate (Appropriation or Exchange?)
第2週	3/02	Brecht and his (mis)understanding of the Chinese Theatre
第3週	3/09	Models of Intercultural Performance I.
第4週	3/16	Models of Intercultural Performance II.
第5週	3/23	Intercultural Performance from the Western point of view (I.)
第6週	3/30	Intercultural Performance from the Western point of view (II.)
第7週	4/06	No Class.
第8週	4/13	Orientalism
第9週	4/20	Power and Position in Cultural Interpretation and Representation
第10週	4/27	Intercultural Performance from another point of view
第11週	5/04	Case Study I. Exotic Encounters: Tango in Japan
第12週	5/11	Case Study II. Shakespeare in China/Taiwan
第13週	5/18	Transculturation
第14週	5/25	Multiculturalism
第15週	6/01	Globalization I.
第16週	6/08	Globalization II.
第17週	6/15	Presentation
第18週	6/22	No Class. Final Paper due.